Behind the Sign

Sedro-Woolley and its residents have known their fair share of calamities, both natural and manmade. But May 15, 1922 will be remembered as the day that Tusko the elephant went on a rampage that not even 16 bullets from a 38 special could end.

Published in 1906, the History of Skagit and Snohomish Counties, Washington is a leather bound time capsule that yields profiles of life in the Skagit Valley at the turn of the 20th century -- a time when many of the people whose lives are featured were still alive. Bruce McCormick, the book's owner and grandson of one of its pioneer subject, shares his family heirloom with our Tales of the Magic Skagit readers, in the expectation of more stories to come.

As we head into the third year of our Tales of the Magic Skagit series, we want to pause and express our appreciation for all that our readers have brought to the table through their own recollections and knowledge. A couple of recent stories are a great example of just what "crowd sourced history" can bring to our understanding of who we are as Skagitonians.

This is the final installment of our four-part series, Swedebs Park Tells the Swinomish Journey. As the descendent of European immigrants who first ventured west of the Rockies in the mid-twentieth century, I have approached this series not so much with trepidation as with a deep respect for the people whose story has always been theirs to share, and who have been gracious enough to do so through venues such as Swedebs Park and the Hibulb Cultural Center. Blessed are the bridge builders.

It was the fundamental relationship with the land more than trade goods and missionaries that defined the growing cultural divide between the First People and the New People over the ensuing decades following first contact. As one of the Swedebs Park displays states, with considerable restraint, “Our way was to live with the land and care for it, but not to ‘work it’ the way traders, missionaries, and the white government thought we should. With the coming of white men, our ancient relationship to land and water changed abruptly. The newcomers curtailed our traditional pursuits — our fishing, hunting, and gathering.”

How the Swimomish came to be among the First People of the Skagit Valley is a story that goes back long before recorded history — but it is one that has been handed down through its telling to generation after generation. It is a story that begins with what those of us New People might recognize as a Noah figure — which, of course, means that a flood is also involved.

Travel across the Rainbow Bridge to the western banks of the Swinomish Slough and look toward Komo Kulshan (aka, Mount Baker). Now, close your eyes and stretch your imagination back more than two centuries ago. The year is 1790, and you are in the village of Txiwúc.

Among the notable dates in the history of Edison, WA, there is one that is highly conspicuous in its absence: 1897 - the year Edison became the headquarters for a national utopian socialist project known as "Equality Colony."

Among my favorite islands in the San Juan chain is Perry's Island. Never heard of it, you say? Top off your mug and settle in for a brief and interesting Magic Skagit history lesson.

In 1869, John Barker opened a trading post at the south fork of the Skagit River on Fir Island in what would eventually become known as Skagit City — the oldest of the Skagit Valley’s river towns. Over the next decade, Skagit City boasted hotels, stores, saloons, a school, church and other public buildings. Today, however, only a single physical reminder of Skagit City remains. The river giveth, and the river taketh away.

This is the story of a painting by a local artist and member of the Upper Skagit Tribe, and why it seemed like the perfect gift for my wife on her birthday.

Jesus Guillén came to the Skagit Valley as many immigrants did, in the hope of a better life for himself and his family. He pursued that goal not only as an agricultural worker, but as an artist who celebrated his fellow farmworkers and the beauty of the fields and landscapes where they labored. Thanks to his artistic vision, us Skagitonians are able to see ourselves and the place we've chosen to live in a way no other artist has depicted. This is a brief overview of his life and legacy.